CHARLES HERMANS “Circe - The Temptress”
Hermans is best known for his rich and cosmopolitan displays of Parisian society. He studied first in Brussels under the neo-classical painter François-Joseph Navez and Louis Gallait.
In Paris he joined the studio of Swiss artist Charles Gleyre who has taken over the studio of Paul Delaroche in 1843 and taught a number of remarkable young artists, including Claude Monet, Pierre Auguste Renoir, Alfred Sisley and James Abbott McNeill Whistler.
In 1880 Hermans entered a monumental painting at the Salon, Le bal masqué, depicting a ball at the Opera. It gives an energetic portrayal of the exuberant atmosphere of Parisian balls in the second half of the 19th Century.
This painting was heralded as a boisterous and unrestrained rendering of the Opera Ball as Charles Hermans focuses on the sexual undertones, the flirtation between the young men dressed in white tie and the richly costumed women.
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O vermelho e o negro, Sthendal.
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